Whenever I start actually writing the manuscript to a new novel, by that point it has been at least a year or two in the making (the one exception so far being the Chronicles of the Sentinels.) I first come up with the general idea, either for the story or for a character, and start to unravel the entire story surrounding that idea, as well as back story to go along with it.
So it shouldn’t surprise me, and yet it still does: I’m smack in the middle of 2nd edition edits, still need to finish writing the first draft of book 3 of The Sword of Dragons…and suddenly inspiration strikes, and I start unraveling the entire story for book 4 in my head!
Not to say I don’t already have a general idea of all six books anyway, but I mean actual full story details. And the best part is that I started coming up with the details when I started thinking to myself, “how can I start to give the supporting characters more attention?”
And it just started unraveling in my head like the story was already there in my mind, I just hadn’t brought it forward to my conscious thoughts yet.
What’s really exciting is that, just like with my 7-year run on my fan fiction, things that I wrote in the earlier books are coming together to create the new stories. Things that happened in the first 3 books as well as The Orc War Campaigns will become important in book 4…some things I didn’t even mean to make important later on!
I get so excited when this happens! I love that, somewhere in the back of my mind, everything is connecting together from the beginning and building on the foundational story.
The Importance of Supporting Characters
More and more, I’m learning just how important supporting characters are. Often times supporting characters become fan favorites in stories. Samwise Gamgee, for instance, or Ron Weasley.
In the past, this was something I struggled with. In my fan fiction, I focused a lot on the two main characters, the Captain and his first officer. To the suffering of all other supporting characters. I started to rectify this in the last two seasons, but I realized this was something I should have done from the get go.
For The Sword of Dragons, I tried to ensure I at least had good back stories setup for Reis, Sira, and Dalin. Yet I feel like I still haven’t given them the time and attention they deserve. That’s definitely changing starting in book 3, and most definitely now in book 4.
But, I have a question for everyone: are you usually willing to read a longer novel due to more time and attention being given to supporting characters? For instance, book 3 of the Sword of Dragons will have about 1/4 of the chapters devoted to Reis going on his own adventure without Cardin or Sira. Plus several other chapters branch off for other supporting characters.
All of these instances are integral to moving the main story line forward, and I think that’s probably the key: any time a novel goes to a perspective of another character, it must be with a legitimate purpose, and not ‘just because.’ What do you think?
Status of 2nd Edition Edits
I have less than 100 pages of edits left for Rise of the Forgotten, which means I’m more than 2/3rds through it!! :D I’m excited, I really like how the changes are affecting the flow, I think it’s making for a much more enjoyable story. Of course, that’s my own opinion, I just hope everyone who reads it will agree :)
Much to my surprise, so far I’ve reduced the word count of book 1 by 1400 words! I’m kind of glad to see this overall trend, though, mostly because I’m trying to get rid of redundant phrasing and make each paragraph have more impact.
I haven’t had time to work on maps. I also just realized that the artist doing my character sketches, Centalynn Artworks, should be back in country now, so I need to go back to review her latest iterations and make choices to send to her. I don’t currently plan to include any character sketches in the novels, but I’d love to have them on the website as soon as they are finished :)
That’s all for today, thanks for reading!